Both Canon and Nikon have released newer versions of their own 70-200mm F2.8 lenses in that period as well. Chip Fotomagazine (full review, 2019 nummer 41): Slecht nieuws voor Canon, deze toplens van Sigma. A number of images captured at 1/10sec appeared acceptably sharp (even if it wasn’t possible to achieve this consistently) but it was surprising to find images at 1/8sec and even 1/5sec to be rendered much to the same extent. Great build and weather sealing make it even more competitive, as does that price tag. Also useful is the two custom modes included on the CUSTOM switch. Another new feature is the inclusion of a custom button on the lens (often reserved for very expensive super telephotos). I switched to the Mode 3 that I programmed to C2, and got a much better result with my first try. We’ll break down my observations into two categories:  Resolution and Rendering. We’ve seen that this is true to some degree with the build quality, but how about the optical performance? Don’t expect Sigma to get outdone again, however, as the Sigma 70-200mm Sport is a serious, professional grade lens that is going to challenge everyone in the class on merit alone. You can see how tiny the Sigma TC-1401 teleconverter is. Peak Design Slide Lite:  Peak Design Store | B&H Photo | Amazon | Amazon Canada | Amazon UK, BenQ SW271 4K Photo Editing Monitor – B&H Photo  | Amazon | Amazon.ca | Amazon UK Proceeds go towards keeping this site going and providing you with new reviews! There are various options you can assign to the custom button. Those wanting to get the most out of the lens will be pleased to know that it’s also compatible with a broad range of accessories. It has an 11-blade aperture, minimum focusing distance of 1.2m and a max magnification of 0.21x. Product tales from Ohsone, the head of product planning at SIGMA. It is 3.71″ (94.2mm) in diameter and sports a larger 82mm filter thread (every other 70-200mm F2.8 lens I’ve used has been 77mm). The feel of the rings are more robust. So while Sigma isn’t “blowing away” any of the competitors in terms of resolution, it is the near the top of heap and represents essentially as good a performance as you are going to find in a zoom lens covering this focal range. The second difference is that I found the geometry of bokeh highlights gets a little more “squeezed” along the edges of the frame on the Tamron than on the Sigma, which is a positive for the 70-200S. With … This advantage at 200mm also translates into better performance with a teleconverter attached. These are quite flush to the barrel but easy to flick and they move between positions with a pleasing positivity. Sigma TC-1401 Teleconverter on their 70-200 f/2.8 Sport lens. Since I have a Canon EF mount lens, that option is greyed out in the software, and the value is assigned in the Canon camera menu (see photo). It seemed competent for everything that I threw at it over my review period. It is essentially 8″ long (203mm), making it only a half millimeter longer than the Nikkor lens, 9.5mm longer than the Tamron, and 3mm longer than the Canon. If you don’t need a super-steady viewfinder, this is going to give you the best final results. Look at how lovely the defocused backgrounds are here: I suspect that portrait photographers will prefer the Sigma for this reason. Autofocus continues to work fine (a little more hunting in difficult situations but otherwise good), image quality is good, and everything reports correctly save the lens designation (the lens now reports as DT 98-280mm F0 SAM). Image stabilization. Vignetting can be seen at both ends of the focal range, although it takes longer to lift from the 70mm end as you progressively stop down the aperture. If Sigma had released this lens 3-4 years ago, it probably would have been heralded as the undisputed champ. Multi-Layer coatings have also been applied to banish flare and ghosting, which in turn should help to keep contrast high, while an impressive 11 diaphragm blades should help to keep bokeh looking natural. There are nine top-grade FLD (Fluorite Low Dispersion) elements and an SLD (Special Low Dispersion) element in the optical path, which is the most complex of competing lenses with 24 elements in 22 groups. This includes a zoom ring positioned right towards the front of the barrel and a focusing ring behind this. RAW files will need correction in post just like other lenses. Canon EOS 5D Mark IV (5D4): B&H Photo | Amazon.com | Amazon Canada  | Amazon UK If you are a professional sports photographer on the sideline of a major event, you might want to elect for the Canon 70-200mm F2.8L IS III for the peace of mind in autofocus speed, but I’m not sure there’s much of a difference. While I haven’t yet tested the Canon 70-200mm F2.8L III, I did spend extensive time with the Mark II while doing my review of the Tamron G2. It is sleek and modern, but when I compare the two the lens the Sigma feels more “military grade”. The 70-200S is compatible with, well, a lot of things. The added complexity of the Sigma’s optical formula could contribute to that. Image quality with my a7R3 is unsurprisingly excellent. This is particularly useful when capturing moving subjects, which may move slightly just prior to capture. Here’s a few samples shot with that combination: These are some real advantages over Tamron (and even Canon or Nikon) if they apply to you and further extend the value proposition of the Sigma. Purchase the Sigma 70-200mm Sport @ B&H Photo | Amazon | Amazon Canada | Amazon UK | Amazon Germany | Ebay  Here’s a few more Sony shots: In the past I’ve frequently criticized Sigma lenses for inconsistent autofocus accuracy, but fortunately that has really changed in the past year. As I said, nuances. I took these shots while being waist-deep in snow and with an outside temperature of -20C. Here’s a real world wide open shot from the Sigma at 135mm along with a detail crop: Moving on to 200mm is where I saw the biggest advantage for the Sigma (at least with the copies I’ve compared). The camera's autofocus system delivers a strong performance throughout its focusing range. Sigma MC-11 Adapter:  B&H Photo | Amazon | Amazon Canada | Amazon UK The optical array comprises 24 elements spread across 22 groups, and this includes nine FLD pieces of glass and a single SLD lens, all of which are used to help control chromatic aberration. The downside is that it is a (slightly) bigger and definitely heavier lens than competitors. Not many reviews yet on the Sigma, but someone on the Sony forum posted an interesting review on the Canon mount version, comparing it to the Canon 70 … In this context it means that the Tamron behaves as a lens with a much shorter focal length at close focus distances. If you are in a room where you have limited space, you will find the Tamron the more flexible instrument. You can get the Sigma 70-200mm f/2.8 DG OS HSM Sport for Canon EF, Nikon F, and Sigma SA (special order only) mounts HERE for $1499. As previously noted, the Tamron does not communicate properly with the Canon 1.4x III attached. This button is repeated on three sides of the lens to make it easy to access in multiple orientations. Sigma 70-200mm f/2.8 DG OS HSM | Sports review Feature-packed telephoto zoom that doesn't cost a fortune By Matt Golowczynski 25 January 2019 Beyond resolution there are still a lot of important considerations. The closest ring to the camera is the manual focus ring, which is about an inch wide and has a high-quality feel to the rubberized materials. Sony a7R III Camera: B&H Photo | Amazon | Amazon.ca | Amazon UK  | Ebay One new design element that I’ve not seen previously on a Sigma lens is a locking mechanism on the lens hood. The only fly in the ointment here is the additional weight of the Sigma. Out of these five we’ve reviewed three so far. In the center of the frame the difference is slight, with the Sigma showing a little stronger contrast and a tiny bit more resolution, but the difference is a little more pronounced on the edge. It behaves similarly to the Canon or newest Nikkor lens (the previous model also struggled with this) with a near identical minimum focus distances and magnification. First impression of SIGMA 70-200mm F2.8 DG OS HSM | Sports My choice, in every situation. I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. In a second video episode I covered those other factors. It's something of a beast in the hands, but if you can tolerate that then the 70-200mm f/2.8 DG OS HSM | Sports will reward you with excellent all-round performance. The 70-200S is also the longest lens in the class, though this is by a fairly tiny measure. Stopping down to F4 only widens the gap for the Tamron on the edge. Pro-grade, all-weather build. Find out which is better and their overall performance in the camera lens ranking. The new Sigma 70-200mm Sport is right there with the Canon in the sample shots below. They want to be able to Google “which 70-200mm F2.8 lens is the best/sharpest” and get a simple answer. Future US, Inc. 11 West 42nd Street, 15th Floor, What is the difference between Sigma 70-200 f/2.8 DG OS HSM | S and Tamron SP 70-200mm f/2.8 Di VC USD G2? So, despite what the results say, this is at 280mm comparison at F4 for both lenses: You can see the Sigma retains more contrast and a bit more resolution…plus it behaves properly. The 70-200S is Sigma’s answer to the major players at this most important of focal ranges. Consider me slightly disappointed on this point, as I expect there to be a tangible tradeoff if I’m accepting more size and weight. That’s very clear when compared with the Tamron: While there isn’t yet a standard profile in ACR/Lightroom for the lens, I was able to easily manually correct for distortion and vignette, which makes it clear that the profile will be able to fix this easily: My hope was that the larger diameter of the 70-200S along with the larger filter size would result in less vignette and better light transmission. It comes in at a hefty 3.97lb (1800g). Functions like Eye-AF are well supported. These make the elements easier to clean, too. Case closed, right? It won’t work on Nikkor lenses. This is a definitely advantage over Tamron, and if you favor shooting JPEGs, it is huge! The answer is inevitably much more nuanced. Want de Sigma 70-200mm f/2.8 DG OS HSM Sports levert puike prestaties en is een stuk goedkoper dan zijn tegenhanger, de Canon EF 70-200mm f/2.8L IS III USM. Sigma’s approach means that you have to choose C1 or C2, so in my case I can have the faster AF option or the stabilizer option that I want, but I can’t have both at the same time. If you want to also shoot your lens on Sony, don’t even think twice about it – the Sigma 70-200mm F2.8 OS Sport and the Sigma MC-11 are the way to go. If you’d like to see more images, check out the Image Gallery here! Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. The Tamron G2 that I have on hand for comparison feels very well made. 70 … Sigma 70-200mm f/2.8 DG OS HSM | Sports review Feature-packed telephoto zoom that doesn't cost a fortune By Matt Golowczynski 25 January 2019 Look at this comparison at about nine foot away. It's only when you get to f/5 that it's almost all gone, although even this is only really visible when shooting a uniform subject. Whenever I review a lens that has thrown out either price constraints or size restraints as a part of their design philosophy I tend to be a little more critical. Visit our corporate site. The shot is 1/13th second at 200mm. It employs more of a flocked matte finish that seems highly resistant to either fingerprints or scuffing (something that the Tamron is less immune to). To summarize my comparisons there and how they play out here, I would say that the Sigma is stronger than the Canon from 70-135mm and is roughly equal from 150-200mm. The challenge for Sigma is that because this is such an important lens, a lot of lens makers have invested time and effort in developing good lenses in the class. It’s also (importantly!) This is a review of the Sigma 70-200 2.8 OS HSM Sports lens. Magnesium alloy has been used for the barrel to keep it sturdy, while the mount has been fashioned out of brass. It’s not until about 30 feet that the Tamron behaves like a true 200mm lens. Stopped down they are roughly equal in resolution, but I slightly prefer the Sigma contrast: Before moving on, let’s step back for a moment and consider just how good this performance is in the real world. You can also make a donation here if you would like. The Tamron can focus more closely, so if your subject is at the same distance (say six feet or a couple of meters), the amount of difference in magnification would be even more pronounced. Sign up to get breaking news, reviews, opinion, analysis and more, plus the hottest tech deals! DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. Finally, the lens can be mounted onto a tripod through a foot attached to the lens barrel, and this clicks as it passes through 90º points when rotated. Once again I slightly favor the contrast from the Sigma. The Sigma 70-200mm f/2.8 DG OS HSM Sports is noticeably bigger and heavier than comparable lenses from the likes of Canon, Nikon and Tamron (and indeed Sigma's older 70-200mm f/2.8 lens), measuring 20.3cms in length and weighing in at around 1.8Kg. Like the rest of the 70-200 f/2.8 lenses discussed in this review, the Sigma 70-200 OS comes with a removable tripod ring included. Sigma’s new 70-200mm Sport is a top-performance lens with sumptuous build quality and a mighty range of up-market, customisable features. Despite being significantly cheaper than Canon’s EF 70-200mm f/2.8 L IS III USM offering, and almost half the current street price of Nikon’s equivalent 70-200mm f/2.8E AF-S FL ED VR option, there are no obvious holes in the spec sheet; everything we expect at this level is present. Both Sigma and Tamron make their own TCs, of course, and would recommend that you use them, but I’ve heard a lot of comments from my viewers that suggests that many photographers are uninterested in dropping another $400+ on a branded TC, particularly if they already own one for Canon or Nikon. This is one area where Sigma lags a little behind Tamron, however, as the G2 is rated at 5 stops of assistance in this mode while the 70-200S is rated at 4 stops. © A small price to pay for that additional functionality! Tamron has released two generations of their 70-200mm F2.8 VC lenses since Sigma’s EX lens was released in 2010. It is definitely a lovely portrait lens: Bokeh is a somewhat subject measurement, and I found the bokeh from the Tamron and Sigma lenses more similar than different: I noticed a couple of minor differences. The 70-200mm f/2.8 is one of the primary lenses that most professionals and serious amateurs have in their lens arsenals. I also noted that Sigma has done the best job I’ve seen with such a locking mechanism. I did a lot of direction comparisons of the lens with the Tamron 70-200mm F2.8 VC G2, which I consider to be the main competitor to the lens on either Canon or Nikon. I consider this a useful addition. These values are programmed through the USB Dock. and a very strong edge performance. If you are a Canon shooter and like shooting JPEGs, the fact that the Sigma has access to Canon’s corrections, works better with Canon teleconverters, and essentially lacks nothing that the more expensive Canon 70-200mm F2.8L IS III lens has makes it a compelling choice. 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